Like many Black American artists striving today to portray their own history, Mucha aimed in The Slav Epic to depict the history of all the Slavic peoples-their struggles, challenges, and accomplishments over the past 1,000 years. The Slav Epic is a series of 20 monumental works of art painted on enormous canvases (the largest measuring over 19 1/2 by 26 feet). Alphonse Mucha, Byzantine Heads: Blonde (Têtes Byzantines: Blonde), 1897, color lithograph, 13 9/16 × 11 in., Mucha Trust Collection, © 2021 Mucha Trust By incorporating these Slavic elements while developing a new style, Mucha was asserting his Czech identity in the French capital of Paris. These manifested themselves as Slavic dresses worn by the subjects, floral and other botanical motifs inspired by Moravian folk arts and crafts, prominent circular motifs that would evoke halos, as well as the curves and geometric patterns familiar in Czech baroque churches. Alphonse Mucha, Self-portrait wearing a Russian shirt (rubashka) at the studio in rue de la Grande Chaumière, Paris, circa 1892, modern print from original glass plate negative, 9 7/16 × 7 1/16 in., Mucha Trust Collection, © 2021 Mucha Trustįrom 1896 onward he consciously integrated traditional elements from his homeland into his designs. Overall, however, Mucha’s style evolved organically from his Slavic roots in Eastern Europe. ![]() ![]() Alphonse Mucha drew inspiration for his designs from the ornamental features of a wide variety of historical cultures and styles, ranging from Celtic, Greek, Gothic, and rococo to Islamic, Jewish, Egyptian, and Japanese.
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